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J E P - Number 10-11 - Winter-Fall 2000 |
Psychoanalysis and Clinical Practice Diego Napolitani |
Text read at Sorbonne University, Paris, 8 July 2000, at the debate Clinical Practice
The Call for an Estates General of Psychoanalysis, launched by René Major in June 1997, was heard and taken up by a great number of psychoanalysts throughout the world. In this Conference, the psychoanalytic question was subdivided into six themes, like the six sides of an hexahedron. Each of us, with our contributions, starts from one of the six bases (ëdra in Greek signifies precisely a base). The historic convocation of the Estates General here, on French soil, has as its premise an epochal transformation of the socio-political structure of the State. What we expect from such an evocatively titled Congress is that the great questions which characterize each of the six bases can, by their various intertwining, revitalize the whole body of psychoanalysis, which many of us feel has closed in on itself in a posture of fatal senescence. At traditional conventions, those considering themselves the pillars of psychoanalysis are usually confirmed in the name of a Master and his school, according to the conviction (and convention) that the stamp of a pensée maitrisante [mastering thought] is sufficient to guarantee scientific validity to psychoanalytical theory and mask often substantial epistemological weaknesses. It is true that psychoanalytic institutions are for the most part like garrisons of resistance against change, as Major affirms in his Call, but it is also true that institutions are constructed by man, by his personal need to find in them that stability of knowledge, that genealogical hierarchy which can confer an identity, as rigid as an armor, which sustains him in his haphazard confrontation with his phantoms. The notion of the unconscious is the cornerstone around which the drawn-out theory of Freudian thinking and all its followers turned, it is the borderline that defines the psychoanalytic field from all other human knowledge. It is that beyond consciousness that, to use Derridas expression, is the pas (step and non) completed by psychoanalysis towards its own name, its definition. It is, as suggested by French language, both a step, a passage, and its non, its own negation, that time and space nothing rationally objectifiable which represents the abyss, the bottomless, from which the mind emerges in its full manifestation. The thought which moves towards this abyss, overcome by an unbearable dizziness, has sought, since Socrates time, to make the abyss livable, to explore its external surroundings, to uncover there its specific economy (oîkos-dwelling / noméa-law) so as to establish the origin and the sequential order of phenomena. A desistential psychoanalysis, according to Major, if I have understood correctly, should consist of a process of knowledge which desists any pretension to domesticate the unconscious: this consists in a deferment of origins in the present, which is thus never a pure present, but a past transferred according to the Nietzschian paradigm of the Eternal Return of the Identical. This identical contains already everything within itself: life-death, pleasure-pain, and all other paired terms that rational reason, and logocentric passion, wished to see opposed in a conflictual, onto-logical metaphysics. In this perspective, it is simply a question of knowing how to decipher the hieroglyphics which the mind exposes, especially in dreams, like traces of an origin which inhabits our present. And not enough. Our archive, as much private as foreign (the Unheimlichkeit), apart from testifying our most distant impressions and the history of our multiple identifications, has also an archival function for those elements which cross our present lives, without being even recorded by conscious thought. Major presents a masterly example of this process when he comments on Poes story, The purloined letter, Lacans seminar dealing with this issue, and on the intertwining between that story and some events in the ambit of the psychoanalytic institution. But let me mention a thought of mine which emerged from reading this story, just as thoughts emerge from listening to a dream: here, some detailsÑwhich are seemingly at the edge of the narrations signifying structure, and risk disappearing in the marginality of the obviousÑcan become the key to a fresh and different understanding from that offered by any attempted translationÑor explanationÑof the enigmatic traces of the past and its eternal return.
The prefect of police turns to Dupin in the hope that he might help him track down the letter purloined from Minister D, about whom the prefect states: Hes not at all crazy; nonetheless he is a poet which, in my opinion, is not so different than being crazy. At first, this parenthetical comment on the relation between something poetical and madness seems completely irrelevant in the context of the prefects discourse on his minute and vain search for this letter in the Minister's home. But it takes on an enormous relevance when Dupin responds to his incredulous interlocutor regarding his technique for finding the purloined letter in the Ministers house. He tells the tale of a child (an innocent puer) who always managed to guess the number of marbles, whether even or uneven, held in his playmates closed fist. This child explained his trick, stating that he would first affect the same face as that of his playmates, and then once having identified himself completely with them, would wait for thoughts to emerge which would lead him to the truth of the strategies adopted by the other. Dupin comments: This schoolboys response confounds in no small way all the sophisticated wisdom attributed to La Rochefoucauld, La Bruyère, Machiavelli and Campanella.
Translated from the Italian by Joan Tambureno |
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